Benjamin Frankel (1906-1973) was a British composer known primarily for his work in film scoring, though he also composed concert music. His genre primarily encompasses classical music with a strong emphasis on orchestral works. Frankel's notable works include scores for films such as "The Night of the Iguana" (1964), "The Man in the Glass Booth" (1975), and "The Naked Prey" (1965). His music is characterized by its innovative use of orchestration and a blend of traditional and modernist techniques, often reflecting the emotional depth of the films he scored. Frankel's impact on music is significant in the realm of film composition, as he helped to elevate the status of film scores to that of serious concert music, influencing future generations of composers. His contributions are recognized for their artistic integrity and emotional resonance, making him a notable figure in 20th-century music.